Nixon

The vinyl Submission by Nixon stands as a mysterious and enigmatic piece within MCA’s catalog, with very little documented information available. Its very existence sparks curiosity — making it all the more intriguing for collectors and lovers of obscure sonic rarities.

Musically, Submission seems to embody a sense of tension — a delicate balance between surrender and resistance, between introspection and confrontation. The title itself evokes strong themes: the idea of yielding, of letting go, or of being overwhelmed by a greater force. In that context, one might imagine a sonic narrative filled with dark textures, electronic or industrial undertones, muffled voices or dissonant echoes.

If we consider Nixon’s other known release — notably Good Groove of Sweet Temptation (NXNT 1) — which leans toward electronic or house music, Submission might represent a more radical or experimental continuation of that style, pushing sounds further into abstract or abrasive territory.

As a physical object, one might envision a minimalist sleeve, a stark label — possibly black and white — emphasizing contrast or strong typography, typical of industrial pressings from the late '80s or early '90s. The record itself, pressed with MCA’s characteristic precision, would bear the marks of age — a rare and seldom-played gem. Its scarcity, amplified by the lack of publicly available details, makes it a sought-after collector’s piece among fans of obscure archives.

Ultimately, Submission may be more than just a record: it’s a story object, a fragment of Nixon’s artistic identity, a silent testament from a less-documented era — where some works remained confined to small, insider circles. The mystery surrounding this vinyl adds to its symbolic value and aura — inviting careful listening, investigation, and imagination.