DJ Mehdi
(The Story Of) Espion

After their two acclaimed edits EPs, Mister T. Records are now joining forces with LA based producer DJ Duckcomb, to deliver a groovy selection of leftfield italo-disco cuts reworked for dancefloors. One year after the release of their 2nd EP, a tribute to Brazilian music, Mister T. records are now back with a 12” EP showcasing their love for obscure disco and Duckcomb’s amazing digging skills. This record aims to be a tribute to the very special sound of the late 80s electronic music and to both the artist’s and label’s lifelong passion for obscure italo disco.Famous as a record collector, Duckcomb has also made himself a name by editing forgotten jewels from classic disco to islands reggae. Part of both duos Sharegroove and Trap.Avoid, he’s beensharing his work and latest discoveries on his bandcamp and soundcloud for years and he has already released two EPs on Universal Cave and Pleasure of Love as well as edits on Cultures ofSoul and Emotional Rescue.He’s now joining Mister T. Records with a 3-track EP compilation of hard to classify, slow-tempo, disco edits. On the A-side, Duckcomb partnered up with his longtime friend and DJ partner DinoSoccio, boss of California label Pleasure of Love, for a powerful rework of the German protohouse tune “Holidays”, with a new dancefloor oriented beat and emphasized tropical influences.On the B-side, he showed his editing skills working on two obscure downtempo tracks with that recognizable late 80s melancholic atmosphere. By removing not danceable parts, building DJfriendly grooves and removing unnecessary vocal parts, he managed to come up with a smooth italo ballad with acid accents on “S.O.S.” and a beautiful balearic new-beat jam on “King (of) a Beat”.

Following up after the mental drop by Detroit’s Master of Repetition, Population One, we have a new signing hailing from the Land of the Rising Sun, helping us to set the standards for this new imprint—uncompromised techno funk! Japanese producer Imugem Orihasam has spent the past 3 years slowly evolving. His early work on Ilian Tape and Esperanza sounds like that of an already seasoned craftsman digesting Detroit bit by bit, with a focus on lush textures and swooning eerie melodies. This past year has seen a spike in activity for Imugem, with releases on Patrice Scott’s Sistrum Recordings, Berlin’s Nsyde, and Adam Marshall’s New Kanada—all showcasing a more focused and exuberant approach that has sharpened his reflective compositions. With GEM, Imugem steps away from the supple melodies and tranquil atmospheres for a trip deep into the power plant. Working far from his comfort zone, he has fired off five tracks of puristic, hypnotic techno. We don’t mean template-driven chunky white label Discogs bait either, but something fashioned out of raw sound that places the channeling of energy above composition and cleverness.