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All Eyez on Me is the fourth studio album by 2Pac and the last to be released during his lifetime. Released on 13th February, 1996, by Death Row and Interscope Records, the album features guest appearances from Dr. Dre, Snoop Doggy Dogg, Redman, Method Man, Nate Dogg, Kurupt, Daz Dillinger, E-40, K-Ci & JoJo, and the Outlawz, among others.The album features productions by Shakur alongside a variety of producers including DJ Quik, Johnny “J”, Dr. Dre, DJ Bobcat, Dat Nigga Daz, DJ Pooh, DeVante Swing, among others.The album includes the number-one singles “How Do U Want It” (featuring K-Ci and JoJo) and “California Love” (with Dr. Dre, featuring Roger Troutman) and the hip-hop ballad “I Ain’t Mad at Cha”, along with the Snoop Dogg collaboration “2 of Amerikaz Most Wanted” as a promotional single. It featured four singles in all, the most of any of Shakur’s albums. Moreover, All Eyez on Me made history as the first ever double-full-length hip-hop solo studio album released for mass consumption globally.All Eyez on Me was the second album by 2Pac to chart at number one on both the Top R&B/Hip-Hop Albums charts, selling 566,000 copies in the first week.Upon release, All Eyez on Me received instant critical acclaim, and it has been ranked by critics as one of the greatest hip hop albums, as well as one of the greatest albums of all time. In 2020 the album was ranked 436th on Rolling Stone‘s updated list of the 500 Greatest Albums of All Time.
* 2022 Repress ** The reeepress of the RE-ISSSUE of Durban’s O.G. Kwaito giant, Sandy B., originally self-released on cassette and a white label 12” in 1994.In its original post-apartheid context, Amajovi Jovi was a sign of youthful subversiveness, rebellious creativity and a neck snapping rejection to the fascist groove of a silenced nation. While the Pantsulla hustler nods to house legends like Jamie Principle and Pal Joey, its hip hop breaks and interludes show a clear affection for Snoop Dogg’s Doggystyle. At its slowed down tempo however, this low-fi kwaito masterpiece turns away from its American influence and looks towards Baldelli and his cosmos. Best of all are Sandy’s vocalsâ€” deep, melodic Zulu rap, sung flippantlyâ€”the way that only a true gangster could. It now stands as one of the finest glimpses of 90s party music to ever be blasted at the underground parties of the South African townships.Remastered and restored from the original cassette tape. Designed by Zeitype.
Réédition de "l’album vinyle du Rire Aux Larmes", premier album du groupe de rap français Sniper, sorti le 30 janvier 2001 sous le label Desh Musique.
Le DJ et producteur J Rocc revisite ses racines hip-hop underground de LA sur A Wonderful Letter. L'album est une lettre d'amour à la ville qui l'inspire constamment. J Rocc est un centre de gravité de la scène hip-hop de Los Angeles depuis plus de 20 ans, et un élément essentiel de la liste de Stones Throw depuis près de deux décennies.
Après la sortie de 4 EP très remarqués depuis 2013, plus de 100 concerts en France, 14 millions de vues sur sa chaîne YouTube et un titre dans le film « Deephan » de Jacques Audiard, voilà enfin le premier album de LOMEPAL : "FLIP".
B boys, B girls, after two decades of dark and futuristic electronic music production, I wanted to release a warmer flavored LP about my early influences and american roots. This record called "The Yellow Tapes", fully dedicated to New York City is sending you back to the 90's and to former Hip Hop, inspired by Soul, Jazz, Funk and even Dub. Featuring 28 instrumental "Short Stories", this double LP has an authentic abstract and funky taste. Recorded between 1999 and 2015 with hardware samplers, valve processors and vintage synths for a classic fat analog sound. Samples are mostly custom made, often from real instruments I've played, like fretless bass and keyboards. You will not find hype stuff here, just my soul.Check it out!
Welcome to the Phantom Train, 12 ghostly experimental tracks for your lost soul.Those tracks were composed and recorded many years before the Cityscape double LP, but the project was finished in 2013 and released as a collector vinyl LP with special Black Print on 300g Kraftpak cover with poly lined black offset antistatic inner sleeve.The music is a bit different, even darker and mysterious. Heavy Hip Hop custom drum kits made with old school samplers combined with heavy analog synths again, with another type of sound.
Electronic Hip Hop / Dub / Modular album by MattaMass (Steve Romani) & Jeabzz (Jean-Baptiste Saint-Pol).
Straatkunst Records is a new project by Roger Gerressen as Argee. 'Untitled EP' is a collection of instrumentals made throughout the years.
Ce nouveau projet prouve que Shin-Ski n’a rien perdu de sa superbe et son oeuvre continue de faire vibrer et voyager. Ses productions, aussi cosmiques qu’exotiques, contribuent à la perpétuelle abolition des frontières de genre.
Includes Free Digital Download Code.Double 12" LP in gatefold jacket with matte uv + spot gloss finish, recycled & randomly colored double vinyl, garbage bag record sleeves.When Aesop Rock debuted in the late 90s with Music For Earthworms and Appleseed, Blockhead was also a part of the process, not only as a producer, but also helping coordinate sales of the CDRs to hungry Hip Hop fans. Blockhead and Aesop continued to collaborate, creating an impressive list of songs along the way, including two of Aesop's most popular songs to date; "Daylight" and "None Shall Pass". In recent years, Blockhead has contributed production, as well as remixes, to manyof Aesop's solo releases and group projects, and Aesop has made a handful of guest features on Blockhead's solo projects, but in all that time, Aesop and Block have never done a full album together, until now! Garbology came together over the course of the pandemic, as well as in the midst of Aesop processing the loss of a close friend in January of 2020, resulting in a period of time of feeling uncreative. Looking back on that time that feels both like yesterday and forever-ago, Aesop recalls, "Theworld got real weird during those months. I knew at some point I had to get back to making something. Make a beat. Draw a picture. Write. Just go. But the idea of making a beat felt like math homework, and drawing is just so hard. Writing is hard too, but at some point I had to pick one." With writing as the chosen path, Aesop hit up Blockhead to send over some beats. At the beginning there wasn't a plan for an album, or any particular plan beyond creating some songs. However, it wasn't long before one song became a few, and then a handful, until finally an album was born. Garbology encapsulates the soundtrack of current times, capturing a snapshot of Aes and Block expressing a means of entertaining themselves in the midst of less social interactions than usual, "anchored on a goulash of cabin fever, fear, anger and boredom", as Aesop describes it.
Après la sortie de l’album The Day Before Halloween, un album conceptuel et imaginatif mené par des synthés distordus, Atmosphere revient avec WORD? qui ramène le duo vers son son d’origine. L’album met en valeur le talent indéniable du producteur Ant qui s’appuie sur l’esthétique boom-bap et apporte une énergie unique au flow vif et perspicace de Slug.
Brimming with fresh hip-hop ideas, rugged beats and featuring Juju Rogers and awardwinning Nigerian songwriter Nneka, we're honored to present to you our new 7” Vinyl frommusic producer Farhot.The 3 songs selected are taken from his latest album Kabul Fire Vol. 2, where the Afghanborn producer skilfully explores his heritage with an unruly collage of vocal samplesblended with diasporic sounds.
Part 1 (Fat Hop 001) is a Hardcore/Funk crossover that borrows several beloved riffs (Total Confusion, Death Of The Kamikaze and Phantom) for a 1989/90 inspired B-Boy Break track while Part 2 (Fat Hop 002), lifts choice morsels from 1991/92 Hardcore and crunchy funk drum breaks alike with Shante on the mic and a horn section for added drama.
Casual Connection coming correct with another slice and dice of mashup madness for this seriously sought-after series. Pure heaters with that certified bass weight backing up the dance, these are two ‘90s R&B classics like you’ve never heard them before.Once they’re in your bag, they ain’t never gonna leave.
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